Cane, reeds and accessories for wind instruments | Medir® S.L.
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A bit of history


Around 1915, a Scotsman who worked in a cork factory in Palamós, observed the large quantity of Arundo Donax that grew in the surroundings of the town. At that time, the cane was used in the construction of baskets, in the garden and in construction work. That Scotsman, named Smith, probably played some musical instrument and knew what reeds were made of.

First, Smith spoke to a basketmaker and asked him if he could get hard canes and sent them to Scotland where they would be tested. The basketmaker collected some samples and Smith gave him an address where to send them. After some exchanges testing different types of reed, the basketmaker received his first letter from Scotland, written in English.

At that time Mr. Smith was not in Palamos and the basketmaker did not understand anything that was being communicated to him from Scotland.

One night, walking through the bay of Palamós, the basketmaker met Julio Perxés, a friend of his who understood English. He informed him of the existence of the letter, and Perxés offered to translate it.

The text asked for a small quantity of cane and Perxés himself answered the letter and sent some samples of good quality. The basketmaker, very satisfied, left everything in his hands.

Julio Perxés

Julio Perxés recognized the business potential of cane supply and began to devise a plan for harvesting quality cane. Over the next year, Perxés sent small packages with tube samples to manufacturers in Glasgow, seeking the return of unusable, soft canes to gain knowledge and experience in selecting the best quality cane.

When Julio Perxés decided to start the business, he received the support of his brother-in-law, Francisco Medir, and for reasons unknown, the factory was named Medir instead of Perxés.

This was the beginning of the cane industry in Palamós, and with time and experience, these two brothers-in-law, working together, achieved high quality in cane selection. They researched suitable soils where the plant could grow more vigorously and established a series of their own plantations around the village. As the industry grew, more plantations were started, and the collection of cane from other parts of Catalonia became necessary. 

From the 1940s, Francisco's son, Lluís Medir Perxés, took over the business, driving it forward, modernizing it, and expanding it. Over time, they transitioned from supplying only the raw material to various reed manufacturers worldwide to offering musicians fully finished products.

Francisco Medir - Lluís Medir, 1970

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